The Classification of Films in Specific Genres Literature review

The Classification of Films in Specific Genres - Literature review ExampleIn his article, Film/Genre, Rick Altman strives to explain the need for the compartmentalisation of bourgeons in peculiar(prenominal) genres. In doing this, he outlines some of the common film genres thus investigating the comical features of each genre that helps distinguish the numerous genres. He explains that classification is vital in the study and harvest-feast of the film industry. He alludes to the numerous other classifications in the contemporary society in underscoring the need to split films. Among the film, genres are comedy, thriller, epic, and horror among many others. The film critic contends that people may classify films differently thus validating the existence of numerous genres. Despite the relativity of the classification system, the author further outlines numerous markers of a genre thus helping in the identification and classification of films in the industry. Key among the facto rs he presents is that genres strike clear stable identities and border. Such is a fundamental explanation that film developers and critics consider in order to understand both the industry and the specific films. Every film genre is unique to the thematic issues represented and the tools used by the developers in representing the themes (Schatz, 2003). Altman, therefore, alludes to the features of film to develop the boundaries and identities of every film. This enhances the classification of films thus the outlay of such vital media products. In classifying films, the critic, therefore, explains that people must investigate the generic blueprint of films this implies that each film genre has a specific attribute, which he explains as the boundaries and clear stable identities. Every film must, therefore, describe the features attributed to every film (Tudor, 2006). This enhances the consumption of films thus the growth of the industry. Finally, the critic refers to the audience as the most important party in the consumption of film. He, therefore, explains that the audience must identify and recognize that the film belongs to a specific genre.